Apt Pupil (story)
The book Apt Pupil (story) was made into the movie Apt Pupil.
Book details for Apt Pupil (story)
Stephen King also wrote Cat From Hell (story), Graveyard Shift (story), The Boogeyman: (story), The Raft: (story), The Body: (story), Trucks (story), Cycle of the Werewolf (story), The Mangler: (story), Children of the Corn (story), The Woman in the Room: (story), Night Flier (story), Riding the Bullet (story), The Crate and Weeds: (stories), The Lawnmower Man: (story), The Shining (1977), Dead Zone (1979), Firestarter (1980), Cujo (1981), Rita Hayworth and Shawshank Redemption (story) (1982), Christine (1983), Pet Sematary (1983), Misery (1987), The Dark Half (1989), Secret Window, Secret Garden (1990), Needful Things (1991), Dolores Claiborne (1993), The Green Mile (1996), Hearts in Atlantis (1999) and Dreamcatcher (2001).
This acclaimed collection of four novellas by Stephen King also includes "Rita Hayworth and Shawshank Redemption" (basis for the Academy Award nominated film The Shawshank Redemption), "The Body" (inspiration for the motion picture Stand By Me), and "The Breathing Method."
Movie details for Apt Pupil
Actors on this movie include Brad Renfro, Ian McKellen, Joshua Jackson, Mickey Cottrell, Michael Reid MacKay, Ann Dowd, Bruce Davison, James Karen, Marjorie Lovett, David Cooley (II), Blake Anthony Tibbetts, Heather McComb, Katherine Malone, Grace Sinden, David Schwimmer, Anthony Moore (II), Elias Koteas, Kevin Spirtas, Michael Byrne and Danna Dennis.
Considerable talent intersects in Apt Pupil: It's director Bryan Singer's first film since The Usual Suspects, that enormously popular, rather heartless thriller-machine. The outstanding cast also includes David Schwimmer as a Jewish guidance counselor pathetically impotent in the face of Todd's talent for evil, and Bruce Davison as Todd's All-American Dad, lacking the capacity to even imagine evil. And the story itself has the potential for gazing into the heart of darkness right here in Hometown, U.S.A. But Apt Pupil just turns ugly and unclean when it trivializes its subject, equating Holocaust horrors with slamming a cat into an oven or offing a nosy vagrant (Elias Koteas). Reducing the great spiritual abyss that lies at the center of the 20th century to cheap slasher-movie thrills and chills is reprehensible. Both Todd and the writers of Apt Pupil should have heeded the old saw: When supping with the devil, best use a long spoon. --Kathleen Murphy